Metal Gear the Phantom Pain How to Leave by Land W hen Hideo Kojima was a young boy, his parents introduced a daily ritual. Each evening, the family would sit down down to picket a film together. Kojima wasn't allowed to go to bed till the film had finished, fifty-fifty if it independent sex scenes. His experience was, he has said, the "opposite" of how it is for nearly children. Those kids had to finish their cauliflower. Kojima had to cease his Coppola. This babyhood ritual seeded in Kojima a deep honey of movie theatre, which can exist seen running throughout the Metal Gear series of military-themed video games that he's directed over the last iii decades. These expansive games of khaki-coloured hibernate-and-seek are routinely interrupted by an glut of exposition-laden cutscenes, something that has led some to suggest that their creator is just a frustrated film director. Met

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